its a pleasure to introduce tony rainwater, undoubtedly the most productive and creative savage weve come across recently. see usually we dont do this, lehult is a crew affair, but this guy left us no choice. being a music enthusiast, dj and dancer for a long time, tony has only most recently picked up producing his own music, yet at a stunning rate: when we first asked him for a demo, three months after he started producing, he swiftly dropped us a set of twenty-five tracks, another set of fifty more soon followed. his productions are straight rough edged, no-prisoners-taken jams, combining samples from the most far-flung corners of his eclectic music collection. his magical patchwork wild style is on full display on his debut rockberry jam ep for lehult. the a-side takes us through the lighter side of his repertoire with the title tracks slow building house groove, some dizzy medieval monk grooves on to all the world and seductive r&b on lay it on the line. on the flip operalight irresistible groove and black dream flowers provide some darker moments, before alone closes on a soft note. the vinyl version includes an extra goodie after the runouts. tony is now a fixed member of the crew already and were proud to have him and his crazy energy on the team. this wont be the last youll hear of him.

what is footwork house jam (fw)? first of all it is a long-running club night in moscow, russia, dedicated to real house music and house dance culture. started in 2010 as a small project, influenced by sound and visual esthetics of 90 s house parties in new york and chicago, fw soon has become the biggest creative community of dancers in russia, gaining strong local following and international reputation. it is the birthplace and home for leading moscow dance crews. various artists ep -footwork house jam #1- is a homage to the global house culture and the eponymous moscow-based club night in particular. the idea behind this compilation is to provide the fuel for house dance culture and house movement to expand further on, blurring the boarders and eliminating the prejudices of the present times.

real d, jus jam, kerstone and robin riccitiello joined forces with the creative director morning gradient to launch a vinyl label : khasia hills. located in meghalaya in eastern india, the khasi hills are hosting some of the most majestuous palm trees in the world. for its first release, the french record label has been willing to serve 4 house traxx of its founders with a strong themed artwork.

limited white 2017 repress. amazing peak time monster by sam paganini. we believe music shouldn not be explained or overanalyzed. we would rather avoid too many useless words. just press play and listen to it.

italian duo jam. debut on be as one for the label 62nd release, after a string of driving releases on the imprint fromtechno heads savas pascalidis, shlomi aber & markus suckut. the a side is all about the stripped down, raw and energetic techno of hermes and pegasi. on the b side, opportunity rover, an hypnotizing, acid-driven trip at home in sweaty dark rooms as much as in big festival arenas. another one to bag.

produced out of excellent techhouse, spoiled with tender sweet ingredients and completed with just the right amount of dark influence – on “canned jam” jason ryse actually brought as 3 new compositions.

nice price deal !!! incl remixes by relight orchestra, gambafreaks vs andrea t mendoza, rivaz

now, if there was ever a record title that could make you look twice its gotta be this seminal slab of jacking chicago mayhem from maurice joshua & hot hands hula. released in the golden year of 1988 on the legendary trax label which was already in full flight and on a major roll at the time. it could have been easy to overlook i gotta big dick because of its (mildly) humorous, tongue in cheek title, but don t be fooled, this is one sleek, charged acid weapon, an early blueprint for the incoming ghetto house scene out of the chi perhaps? if you re somewhat prudish or easily offended by the lyrical content the guys were kind enough to include an instrumental version that jacks in all the right places! also included on this ep is the stone cold classic this is acid which was co-produced by lidell townsell that became an acid house anthem all the way from illinois to ilford. a true school chicago jam indeed! finishing out the ep is the almost apocalyptic acid of -feel the mood- that features a rap from kool rock steady, the combination of twisting 303 s, church-like organs and synths and kool s razor sharp rhymes make for a pretty heavy concoction, use this one wisely damage will occur on the dance-floor! remastered in conjunction with trax records, fully legit, now is the time to revisit a cornerstone of classic chicago house music, often imitated, never bettered!

hicago, 1991. the house jam records go from strength to strength, having already released a slew of influential and classic records from 1987 onwards, the duo of larry thompson and rick lenoir are making their impression felt on the dance music scene not only in their own city, but on a worldwide scale. enter tikkle, another undercover pseudonym used by the pair for their own special brand of deep house tracks. -outer limits- was the first release using this name and is an essential ep of midwestern machine grooves. the tracks have that rough, basement vibe with a healthy dose of deep, melodic qualities thrown in, the track -outer limits- for example, has a sophisticated almost jazz like vibe that wouldn t sound out of place on an early ur release! the second track on the ep -in the beginning...- is a driving cut based around mach s legendary -on & on- (often cited as one of the -first- house tracks!) with thompson and lenoir adding some dope keys, strings and extra drum machines all with that trademark lnr swing. -holding on- is a stripped back, percussion led, heads down kinda jam... the kind of track to make dance-floors sweat, solid stuff indeed! the whole ep has been reissued as it was originally released in 1991, with all original house jam label artwork intact. for this special 2016 pressing rick lenoir dug in his vault of reel to reel tapes and excavated a long lost tikkle track that has never been released..... until now - -my mood (rick s cosmic mix edit)- is the closing track of the ep and is a fresh, 24 year old acid track with ocean deep pads - what a discovery, and one that will undoubtedly excite house heads! this track is exclusive to this repress! all audio has been lifted from rick lenoir s private collection of reel to reel tapes from his basement and remastered accordingly. this reissue has been realised with the full involvement of thompson & lenoir and is 100% legit

glow worm/aloha ice jam is the third release from oflynn, and follows two sell out releases on blip discs. described by boiler room as one of dance music s most prosperous newcomers, oflynn is quickly establishing a reputation as a bright young talent and has already had his releases supported by ben ufo, gilles peterson, bonobo, pearson sound, bradley zero, joy orbison and four tet to name but a few. a-side glow worm was premiered by james blake on his bbc radio 1 residency show and showcases a contagious synth melody that is underpinned by a percussive house groove. in a similar way to both his previous releases, the flip side takes things into a whole new territory, and in this instance the infectious disco-tinged aloha ice jam takes aim squarely at the dance floor and doesnt miss

rihanna präsentiert ihr achtes studio-album -anti- inklusive der hit-single -work feat. drake.

in terms of legendary house records, it doesnt get any better than lnrs cant stop the house.

what can be said about lnrs work it to the bone? another slamming piece of chicago house history brought to us by the dynamic duo of larry thompson and rick lenoir (lnr, larry n rick) of the cult house jam label. this is some straight 1987 heat, real house music for the heads, from the very beginning! work it to the bone does exactly that, works every single part of your body into a frenzy, a cacophony of jacking sparse drum programming with that infamous descending bassline and that dude chanting, asking us to join him c mon let s work! this record is a total classic. period. featured on this official 2016 reissue we have 4 mixes of this monolithic slab of machine funk that originally came out on various pressing between 1987-1989: the vocal mix, the instrumental, lnr clubhouse remix and the lnr underground mix.na sense, this is the complete collection of this cornerstone of chicago house. the full set. all audio has been lifted from rick lenoir s private collection of reel to reel tapes from his basement and remastered accordingly. this reissue has been realised with the full involvement of thompson & lenoir and is 100% legit! dont snooze, this one deserves a spot in any self respecting house heads record bag or dj set, classic material made available again for 2016, house is going on!

since contributing to the cocktail damore 5 years compilation, andrew cole aka luvjam has been invited few times to rock the monthly party with his deeply blissful and futuristic sounds. this is his first 12inch for the berlin imprint. the title track takes over the a side. nip to space is an abstract hypnotic slice of techno. every frequency of the 4/4 groove is stretched to the max, and it’s built to enhance the dance floor with masterful soundscaping. on the flip forest of nip is a raw tune, made by unexpected elements disappearing and re-appearing vibrantly, climaxing in a maze of fluffy acid synths. with flip to the flop the alchemist of sound design explores breakbeat of the finest uk tradition that evolves unexpectedly in a cosmically distorted afterhours delight. luv jams psychedelic perspective of sound is at its best in this ep, coupled with his unique mastery of frequency manipulation.

touring italy this spring we met a mob of cool dudes. and so here you have the fully analog tracks from their studios. fa piacere!

nice price deal !!!

limited 200 lp 12” units world wide, best italian quality, withe vinyl with double sleeve - very cool look (contains texts), excellent sound master, very good sound. this release contains 4 original n.o.i.a.’s tracks but reworked, and 4 exlusive remixs by: the hacker, hard ton, l.a.s.’s crime and potochkine.

as always limited 180gm pressed vinyl
people must jam s ninth record is from one of our favourite djs and producers. a guy who has a ridiculously large back catalogue and in our opinion it is a crime that some of his records haven t received bigger recognition. a true master of house and hip hop music, kid sublime has been putting out amazing records since 2001. his own label dopeness galore literally does exactly what it says on the tin. even before we launched people must jam s label we wanted kid sublime to be a part of it. now finally we are stoked to present this ep... four serious cuts for four different vibed floors - look out! first up kid s homage to techno legend ben sims with bang like sims a driving deep techno groove. strong percussion, deep stabs and that unrelenting beat are going to ensure this one gets some love on the harder edged, heavier dance floors. we the people heads a little down the tribal route with some afro inspired percussion, haunting samples and that kalimba! dropping a really infectious riff before beautiful piano melodies drift in and out of the mix. wonderful stuff. the title track i like em dirty , we feel, is a lesson in proper deep house. classic sounding house beats, little guitar licks, deep stabs and the vocal sample combine for this perfect house cut. massive. the ep is rounded out with another cut in tribute to the legend that was kenny hawkes. another master of his craft - kenny sadly now passed on but his spirit is well and truly alive in this fitting tribute. one 4 kenny features strong percussion, low bass, deep stabs and slamming beats = cracking stuff

ra s number 1 voted live act of 2015 kink provides time out of his ridiculously busy tour schedule to provide the opening track roads. kinks remix of moderat is just about to drop on monkeytown as well as his valentine s groove 12inch for clone royal oak. kink has had huge releases on labels such as rush hour, running back (last year s cloud generator ep) and has remixed the likes of sven vath, herbert, nina kraviz and deetron.

180gr - 300 copies , limited
as the climate cools down in australia, temperatures are rising in europe and one of italys finest selectors has taken charge of people must jams eighth record. deja vu is a ep that has been a long time in the making. the result, we hope you will agree has been worth the wait. the title track kicks the ep off with a killer funk groove that riccio works into something we think mark e would be happy with. dyson jam is an original cut that channels some of his inner moodymann vibes - heads down, lights down, fader up... for the b side we asked the incredible payfone (who has been racking up a solid string of releases on golf channel) to remix dyson jam and he has created a perfect contrasting remix to the rest of the tracks of the ep. a deep journey that takes the original into sub-dawn territory. 4am vibes! the final cut of the ep mystical stretcher, is a late night jazzy funk number. again a little mahogani inspired...

remastered re-issue on 180 gram vinyl.

remastered re-issue on 180 gram vinyl, housed in gatefold sleeve.

1 sided + large gravure on other side. love on the rocks is very excited to present sharif laffrey’s key jam (a.c.i.d.). his first release since the sleeper hit turn it up was released on discos capablanca over two years ago. key jam (a.c.i.d.) is the treasure + the mystery. laffrey’s signature raw edit style is in full effect on this 9-minute proto-dance heater. sharif laffrey has been playing records and making music for 20 long hard years. born in detroit, michigan - he’s worked on the line checking camshafts for chryslers & at submerge for mike banks - at the same time. he toured asia with juan atkins and once had to chase a grown man through the streets at night, who had crawled into his living room through a open window. an active member in detroit’s early rave scene, sharif remembers booking all foreign gigs with a fax machine - and would still do it that way, if anybody else had them anymore. he drove a black trans-am from 1990 to 1995. acid, tons of random stuff, tough, sexy, lovely, slow. freak mode. he is dealing with the fame. more to come.

the next installment on aus music sees the return of a relatively new addition to the roster rob glassett aka fold. throughout previous 12inches on manmakemusic and electric minds and on his outstanding netflix & chill debut for aus last year - fold has laced together dusty house grooves built with a classic approach to sampling funk, disco and soul records. next up - his lennys jam ep starts up with a dub techno groove built with delayed and panned stabs and sharp, pacy drums. rosie lea lays out a rich and sunny groove as a playful sample filters into focus over deftly treated drum kit samples and a buoyant bass line. tracksuits and tennis shoes then follows up with a no-nonsene party jam a short funk link is set over a booming kick that closes up a nicely varied package.

since its birth in 2002, truesoul has grown into a solid, dependable label. known as drumcode s little brother, adam beyer has taken truesoul and twisted it into a platform for new and emerging talent to be thrust into the world of electronic music. each release has its own unique identity and each track brings something new and unique to the label. the quality of each track is paramount and that has been proven with previous releases from some of the finest talent within the industry

played by moodymann
comme un symbole, il y a 4 ans le label débutait sa production vinyle avec lowris new comer a l’époque devenu depuis résident de la célèbre concrete party et producteur reconnu. Ç est donc tout naturellement que le 10 eme disques sera consacré à un nouveau venu, le jeune et talentueux paul cut et son basement jam ep. musicien classique et jazz de formation ce jeune homme nous fait découvrir son art du sampling au travers d’un disque résolument house.

the first in the brand new white label series from newly formed collaborative effort track and field, a group of likeminded producers and djs from london.

limited to 300 units on 180 gram vinyl with a4 info sheet.
marvis dee, dream adventurer and producer delivers a deeply melodic and synth laden voyage into the subconscious for dublin’s lime street music. blissed out and loved up synths combine with slow-jam grooves and retro feeling on this deeply ethereal trip through planets, jungles and tape collections.

straight ahead music presenting their ninth vinyl & digital release from jacky & atove with remixes by jey kurmis and apollo 84. thanks to jacky & atove for keeping their tracks to sascha sonido´s label straight ahead music.

we know this is a very special one! our seventh record is a track that has been burning up the people must jam dance floors for years in its previous form - al kent has created a disco dance floor beauty! an unreleased monster that first came to pmj s attention through the now legendary dj history website. this track has been retouched and re-mastered for its vinyl release nearly eight years after its inception, we are really proud that this is seeing the light of day and will finally be available for people to get their hands on. mastered at the carvery for added bump and shine. the record is a strictly limited 10inch heavyweight pressing

more rough analogue business from switzerland. early support from legowelt.

this release was born of a cross country trip with an 808 drum machine by thomas ragsdale aka winter son, alongside jozef k, resident of famed manchester and ibiza clubnight sankey, as they join perseus traxx to hammer electricity out of machines. with it&#700,,,s rim shots and claps and other transistor rhythms reverberating across vast distances of space, side a is stripped back and deep from the outset, pushing forward as scattered tones, arpeggiations and disjointed voices leave their trails vanishing from perception. side b tightens up from the previous reverbs and throws acid into the mix, as the two join perseus traxx and the sound becomes more raw and urgent as the three of them jam on their chosen machines.

ltd 2015 repress ...the mysterious new barefoot beats label drop a killer, extremely limited 10inch of rare brasilian disco grooves for their debut. nyc dj legend eric dunks duncan flips a classic brasilian groove on the a side that really gets the party started. on the b, sao paulo based disco fiends selvagem hook up with carrot green and build a seriously heavy latin bomb that pays tribute to their beloved bahia where the mareh festival is held each year.

pole jam vinyl proudly present their 5th release called the soul shadow ep darko kustura makes a welcome return and brings us the stunning soul divide , a seriously funky, discofied number, topped off with delicious piano breaks to open proceedings in perfect fashion. joining darko are new signings cucumbers. the russian duo make their debut with never knew which wastes no time in whisking us off on a super smooth, open-top ride along blissful house boulevard. all-star cassara kicks off the second side in his true fashion - a funky looped bass line coupled with a hypnotic deeper feel. uk based musician slync is a new find. he unveils his latest track toasted , which rounds off the ep beautifully with 6 minutes of shimmering, glossy nu disco.

300 limited copies / no repress.. newfact music presents solo ep from jam on « lost voices ».the ep is the groovy combination between machines and computer, house and techno, some sunny vibes for your summer.

for the sixth release on people must jam, we headed to poland to find two very special guys that make up ptaki. ptaki have been making ripples around the world for their unique approach to putting together a record or two and having just recently dropped their album przelot those ripples have turned to waves. we are proud to announce their new record - antypody that will possibly turn those waves tidal! ptaki have delivered a wonderful varied ep with four different cuts. kicking off with the crazy uptempo hi-nrg disco cut milosc after which the record moves into the more gorgeous balearic territory of termy. this blew us all away when we first heard it. on the flip lotnik showcases some solid house roots before the ep ending on the porn sampling and rather brilliant radio roman. we are really stoked to have these boys on board for what we feel is going to be a very sought after record. 180g vinyl - strictly limited.

earthly versions sind grandiose, bassgetriebene clubremixes aus dem aktuellen jam city album *dream a garden* für zwei ausnahmetracks. plus der bislang unveröffentlichte bonustrack *dream 15*.

the 1995 ll cool j album back on vinyl.

lets jam 1 and lets jam 2 are zombys debut recordings for xl recordings. the two musically distinct individual bodies of work see the london-based artist returning to his roots making instinctive, enigmatic, club-focused music. the music was in part recorded on new hardware and software at xls west london studios and in part on the fly in zombys own environment.

lets jam 1 and lets jam 2 are zombys debut recordings for xl recordings. the two musically distinct individual bodies of work see the london-based artist returning to his roots making instinctive, enigmatic, club-focused music. the music was in part recorded on new hardware and software at xls west london studios and in part on the fly in zombys own environment.

part two of the a made up sound 007/008 double drop. killer pan-around beats and morsecode-like pads build towards sonic mayhem on the a-side, while the b-side sees the highly anticipated half hour jam on a borrowed synth finally get its release.

tijn is the name for the third overall music limited series, the owner of -in haus wax- and -tijn records- , bring us 3 originals tracks where show us his love for the analogics sounds , a trip between oldschool house and techno the ep is closed with a -magic remix- of the chicago master dj jes, knows him for his relases in real state, nrk, siesta or his last work on tardis records.

tomoki tamura s pure house label holic trax is back with more trend setting hits with this excellent new ep from tuccillo, djebali & john dimas. tuccillo is very much on a roll at the moment - he makes everything from deep house to tech to chill out to disco and does so on labels like visionquest and 2020 vision as well as of course holic trax.

180 gram. vinyl only. gatefold cover. inside-out cut. finally the 3rd pr arrived. happy to introduce you my friend io and his first ep on my label which fits so good to be released in summer time.

1 - kinda >hip<-house style,
2 - groovy dance floor stuff,
3 - my favorite minimal broken beat,
4 - easy going >hop<-house recording.

enjoy your summer as we do!
-nastia-

kicking things off on the a side is herbie s jam , an effortlessly cool house edit of the legendary jazz pioneer that features an infectious piano loop, live drums and a funky bassline which we re sure is going to become a staple at day time parties and sunset sets this summer. there s also an incredibly smooth and soulful trumpet sample to complete the jam and tie everything together. on the flip you ll find a more up beat and peak time affair called oliver that keeps the same jam session vibe as on the a side, but this time employs sultry organ keys, breezy guitar licks, and a truly groovy saxophone contribution that makes you just want to get up and move. just as with their previous releases, this is a hand stamped, limited, 12- that won t be around for long.

the *tape jam ep* is patrick vanos fourth release on berlin-based label mos ferry. the a side *rhythm disease* crackles and rumbles in this typical sound mos ferry is known for. *drone shadows* on the flip is much quiter and vano plays the techno bow in wide and flowing moves – best suitable for the later party hours.

more edits by volcov.

nach der zerklüfteten gefühlskälte seines debütalbums *classical curves* (2012) legt der britische produzent jam city nun ein sinnliches werk mit modernen popsongs zwischen grime, hip hop, post-punk, country, gotik und moderne vor. musik zur transzendenz, aber auch zur konfrontation. ein werk über liebe und widerstand. stets roh, stets tief in rot.